劉澤民 建筑設計 本科預科
2021.06.03
我喜歡讓建筑貼近自然生活,然后融入自己及周圍人群的親身感受來進行建筑設計。
在學習建筑設計的過程中,我認識到不同人群對于建筑的需求和定義是不一樣的,同樣建筑也需要兼顧時代的需求來變化。作品《Breathing Space》。先期我通過調查CBD人群當下生活的態度和工作、生活等需求,最后結合當下才全球疫情因素。我希望可以使建筑形式更加多樣化,而不是單一的形勢。通過這幾年的一些親身經歷,現在的建筑設計,一部分人群不愿去做創意性的變革,而是在大環境下去進行單一的復制。單純的鋼架、玻璃大樓,同時給人造成很大的視覺疲勞。使藝術進步緩慢。
我曾經看過的一本書《未來建筑的100可能》,這本書改變了我很多傳統的觀念。以前的我,也是只會單純的單一復制,修改別人的建筑。不善于去創造屬于自己的東西。現在的我應該大膽尋求更多突破,在這個平凡單一的建筑環境下,讓人們可以看到建筑的更多可能。
在我看來,當代建筑設計作為社會發展,人類需求的承載是可以闡述我的一些觀點,但我的設計不再局限于傳統建筑的定義。因而我的藝術設計是在基本觀念和需求下探尋更多社會現象和現代建筑應該具有的東西。考慮到建筑同樣具有嚴謹性,我認為建筑的每一部分構成都要去綜合所有去進行全面的考量。我在我的作品中使用的各類型材料以及周圍景觀的設計,充分與各種需求進行了結合。
我的作品不僅討論了人的需求和周圍環境的因素,也考慮了全球疫情環境下,怎么樣的建筑,可以使人在緊張環境下更加的安全和更好的放松。所以我用了室內綠化景觀,讓植被可以更好的釋放氧氣,并通過大量的玻璃透明,照進陽光。還可以在擁擠的環境下,很方便的來到室外呼吸新鮮的空氣。
對我而言,建筑設計最大的樂趣是在過程的調研。留意日常生活中的細節,關注時代的變化和需求,留意周圍的人、事、物…… 并思考自己的觀點,抓住靈感的出現,同時把自己代入其中,最后確定將自己的想法實現。
當代建筑的魅力在于永恒,它不僅是物質的、又是精神的。無論概念、技法、材料或當地文化運用,應該都是沒有局限的。我不喜歡固定在當下的某些的作品類型,它應該是純粹、真實、毫無保留的表達我當下的興趣、情感和觀點。如作品《中野本町的家》,不以人為本的建筑不是好的建筑。人類寄予建筑的情感極大影響了建筑的設計,不充分考慮人的因素,隨自己心意的設計,某種意義上可以說是失敗的作品。因此我使建筑室內、室外充分和人相結合,來表達對建筑的理解。
我應該注重思想的力量,站在未來看建筑,打破傳統模式,將人,環境,社交等需求巧妙融合,給人全新的體驗。做人類需要的設計,做自己喜歡的設計。
I like to make the building close to the natural life, and then into their own and the people around the experience of architectural design.
In the process of learning architectural design, I realize that the needs and definitions of architecture are different among different people, and the same architecture also needs to take into account the needs of the times to change. Breathing Space》. of Works By investigating the attitude and work and life needs of CBD people, I finally combined the global epidemic factors. I hope that the form of architecture can be more diversified than a single situation. Through some personal experiences in recent years, some people do not want to make creative changes, but to make a single copy in the general environment. Simple steel frame, glass building, at the same time cause great visual fatigue. Make art progress slow.
One of the books I've read, The 100 Possibilities of Future Architecture, changed many of my traditional ideas. Before I, also will only simply single copy, modify other people's buildings. Not good at creating their own things. Now I should boldly seek more breakthroughs, in this ordinary single architectural environment, so that people can see more possibilities of architecture.
In my opinion, contemporary architectural design as a social development, the bearing of human needs can be explained some of my views, but my design is no longer limited to the definition of traditional architecture. Therefore, my art design is to explore more social phenomena and modern architecture under the basic concept and demand. Considering that architecture is also rigorous, I think every part of architecture should be considered comprehensively. The various types of materials I use in my work and the design of the surrounding landscape are fully combined with various needs.
My work not only discusses the needs of people and the factors of the surrounding environment, but also considers what kind of building can make people more safe and better relaxed in a tense environment. So I used indoor greening landscape, so that vegetation can better release oxygen, and through a large number of glass transparent, into the sun. Also can in the crowded environment, very convenient to come outside to breathe fresh air.
For me, the greatest pleasure in architectural design is in process research. Pay attention to the details of daily life, pay attention to the changes and needs of the times, pay attention to the people, things, things around... And think about their own views, grasp the emergence of inspiration, at the same time put themselves into it, and finally determine their own ideas to achieve.
The charm of contemporary architecture lies in eternity, which is not only material but also spiritual. No matter concept, technique, material or local culture application, should be without limitation. I do not like certain types of work fixed in the present, it should be pure, true, unreserved expression of my current interests, emotions and views. Such as the work "home of Nakano town ", not people-oriented architecture is not a good building. The emotion that human beings place on architecture greatly affects the design of architecture, does not fully consider the human factor, according to their own mind design, in a sense can be said to be a failed work. Therefore, I make the building indoor and outdoor fully combined with people to express the understanding of the building.
I should pay attention to the power of thought, look at architecture in the future, break the traditional mode, combine the needs of people, environment, social and so on skillfully, give people a new experience. Do the design that human needs, do the design that oneself likes.