皮婧淇 首飾設(shè)計(jì) 本預(yù)

My design concept usually comes from my personal experience and ideal. Self-expression, self-exploration, self-introduction and self-pursuit are all what I want to show in my works. I believe that life is a process of renewal. Our comprehension and cognition in each stage is the preparation for the next. I hope I will always be in the creation process of expressing and realizing myself.

My works are mainly about the exploration of myself. My first work <The Lost Time> was made to keep my childhood in mind. To retain the childhood memories better, I made my lost memory pieces into brooches to build a feeling that all the childhood memories have never gone. My second work <Unreachable> was produced after I explored my body. I use jewellery to create an unattainable visual effect on my body. My third work <Original Aspiration> is a work showing my ideal ego state. I combined a variety of materials, and finally showed the feeling of self-loyalty and stayed true to the original self. 

I enjoy making artworks with a strong sense of pictures and hope my work can bring a connection of communication and empathy to people. My productions were fulfilled with my insights and emotion. Every creation was to express myself profoundly and to convey the naked truth. I accepted myself in every stage, which makes me what I am today.

我的設(shè)計(jì)理念通常從自己的經(jīng)歷和理想出發(fā)。自我表達(dá)，自我探尋，自我介紹以及自我追求，都是我想在作品中體現(xiàn)的。我認(rèn)為人生就是不斷更新自我的過(guò)程。每個(gè)階段自己的理解和認(rèn)識(shí)都是為了下一階段的自己做準(zhǔn)備。我希望自己永遠(yuǎn)處在為表達(dá)自我和實(shí)現(xiàn)自我而創(chuàng)造的過(guò)程中。 

我的作品大多是關(guān)于自我的探尋。我的第一個(gè)作品《失去的時(shí)間》是為了在心底留住童年的自己所制作的。為了更好地留住童年的記憶，我把記憶的碎片做成胸針來(lái)紀(jì)念我失去的記憶，形成一種仿佛童年記憶從未消失的感覺。我的第二個(gè)作品《遙不可及》是我對(duì)自己身體部位探索后所做的作品。我借用首飾使自己的身體部位產(chǎn)生不可達(dá)到的視覺效果。我的第三個(gè)作品《初心》是表達(dá)理想自我狀態(tài)的一個(gè)作品。我將多種材質(zhì)結(jié)合，最終呈現(xiàn)忠于自我，保持初心的感覺。

我喜歡做有畫面感的作品，希望我的作品能與人產(chǎn)生交流和共情。我把自己的頓悟和情感注入作品中，每次的創(chuàng)作都是深度的自我表達(dá)，想傳遞最赤裸的真實(shí)。我接受每一階段的自己，因?yàn)榻?jīng)歷她們才會(huì)造就今天的我。